Agustina Woodgate 


Broadcasting with radioee.net
Visualizing ecologies with tvgov.info
Founding member of PUB.sandberg.nl
Tutor at Design Department Sandberg Instituut, Amsterdam.

selected works.pdf
Barro Galeria, Buenos Aires
studiowoodgate@gmail.com










CHORROS, 2023, Site-specific infrastructure, water purification plant, Barro Gallery, Buenos Aires The Bags (diptych), 2023, Blown glass with underground polluted water and purified water, cement base and iron structure CHORROS, 2023, Handmade watermark with purified water Todo Turbio, 2023, Handmade watermark with polluted water The Source, 2021, Drinking water fountain, Crans-Montana, CH Don't Trust. Verify, 2021, FirezeNY ADM (Automated Dealer Machine), 2021 WIRELESS, radioee.net 24 hour live radio marathon, August 27, 2020 The Country in Flames, 2017-2019. Pulverized ink extracted from American History map embedded on tombstone Común y Corriente, 2016, Site specific infrastructure, water drinking fountains, Barro, Buenos Aires Ballroom and MilkyWays, 2016, installation view ARC Berlin Hopscotch, 2015, Krakow Rayuela, 2014, Buenos Aires Hopscotch, 2015, Greensboro, NC RUGS, 2013, Installation View, Hollywood Arts and Culture Center CICLO, 2016, 24 hs radio marathon from a collective bicyle, Miami VPN (Virtual PUB Network), 2019, Vpn intrastrcture, Sandberg Instituut Ballroom, 2014, Faena Art Center, Buenos Aires, AR Cosmetica, 2018 ARGO, 2018, 24hs Radio marathon, IV Istanbul Design Biennial Rayuela, 2015, Side walk intervention, The Bass Museum, Miami AGUAS ALTAS, 2017, 24hs radio broadcast form a boat navigating Miami's waterways DISCREET, 2015, IX Berlin Biennial SOLARIO, 2015, 24hs Radio marathon, Dallas, TX FORDLANDIA, 2017, 24hs Radio marathon, Amazon, BR Camnbio de divisas, 2021 National Times, 2019, Site specific infrastructure: Closed circuit of 40 analog clocks, 1 digital master clock, sanding blocks, and electrical metal tubing. 2019 Whitney Biennial, Whitney Museum of American Art. Curators: Jane Paneta and Rujeko Hockley The Source, 2021, Art Basel Cities, Miami, US Detail of master clock Close up of one slave clock in progress during exhibition The Times Atlas of The World, 2012, Outdated sanded Atlas, 550 pages Time Capsules, 2018, ink from US banknotes